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tea.events About →

About

A calendar built around Chinese tea, in person

tea.events is the gathering ground of the THETEA constellation — a place to find cuppings, ceremonies, and small tours organized around specific harvests, specific masters, and specific tea regions. Nothing generic, nothing hyped, nothing seasonal-themed for the sake of a poster.

What tea.events actually lists

Every session on this calendar has a date, a named host, a named tea, and an honest capacity number. That is the whole editorial policy. A listing does not go up because a season needs content — it goes up because nine cake-vintages are ready in the Kazbegi cellar, or because the Mí Lán Xiāng (蜜兰香) lots have been confirmed for a London pop-up, or because a venue in Saint Petersburg has booked its vendor tables for October. If a host cannot say which region, which harvest, and how many seats, the listing does not run.

That policy is deliberately narrow. It means tea.events will never be the biggest calendar in any city — only the one where every entry survives a second look.

Where tea.events ends and the neighbouring projects begin

Four other projects in the constellation sit close enough to this one that the overlap is easy to misread. Worth being precise about it, since a listing here often points to all four in the same paragraph.

If a gathering listed here also needs a venue, a caterer, or a hired host, the relevant sibling sits one click away in the listing itself. The gathering — its date, its capacity, its named tea and host — is what lives on tea.events.

Who keeps the calendar honest

The team reviews every listing before it goes live: pairing logic, capacity claims, and whether the tea named in the lede actually matches what gets poured. Hinson Tse checks program structure across the board; category review rests on knowing the teas from the inside — sourced and poured first-hand rather than assessed from a distance. Max Mihal handles the parts that keep a room running — venue logistics, capacity limits, and the onboarding queue for new hosts.

New hosts are read on a rolling basis. The bar is not fame or seat count — it is a real venue, a named provenance for the tea, and a willingness to publish a capacity figure that turns out to be true on the night.